In this image, we can see Rajkumar holding a cricket bat with his mustache in an upbeat mood, in which his fans are excited. He captioned the image, “In between shots. Ground is a lot of fun playing cricket. No one tip, one hand, no direct touch to this wall, then out rules. # Congratulations.”

We have discovered some more interesting photographs and videos of this game implemented No-Rule where the artists can be seen getting fresh between the works.

Bhumi posted a story by tweeting Rajkumar Rao and Junglee Pictures and expressed, #Sumidiaries #BadhaaiDo Full time time pass ??,

This stunning video with ‘Jeetga Bhai Jeetga’ music has created a stir on his social media.

‘Badhaai Do’ is currently being shot in Uttarakhand and the cast is planning an extensive shooting schedule, which is being formed as a promising family franchise.

‘Badhaai Do’ is a part of the franchise ‘Badhaai Ho’ which was a complete hit at the box office for its rib-tickling, entertaining and unconventional story. Junglee Pictures announced ‘Badhaai Do’ starring Rajkumar Rao and Bhumi Pednekar – a fresh pair on screen and the two will appear in a completely different avatar.

The film, ‘Badhaai Do’ is produced by Junglee Pictures, produced by Harshvardhan Kulkarni and written by Akshat Ghildiyal and Suman Adhikari.

The post Rajkummar Rao played cricket on the set of ‘Badhaai Do’, Bhumi Pednekar shared superb BTS appeared first on The Daily Voice.

With Alt Balaji and Zee5’s much-anticipated youth action-thriller franchise ‘Bang Baang – The Sound of Crimes’, Ekta has launched new talent in the industry with Mr. Faasu (Faisal Sheikh) as Roohi Singh, Roohi before many Have done films. Popularly known as Mr. Fesu, it is a digital creator who has gained massive fame on video-sharing applications. Seeing his talent and giving him a platform, Mr. Faasu is already receiving appreciation for the glimpses and action sequences seen in his debut web show.

Talking about the same, Ekta Kapoor shared, “I am waiting for everyone to see Faizu and Roohi on screen after the release of our show, Bang Bang. These youngsters bring new excitement and energy to the show.” As a home ground platform, we are honored and delighted to give a platform to talented youth across the country. Content on the OTT platform has seen its peak during the nationwide lockdown. We at ALT Balaji are continuously Working to create more opportunities for audiences and new entertainment content. Bang Baang is a power-packed youth action thriller and will be a show that will bring a new wave to the youth franchise. “

With over 70+ shows, Alt Balaji has the most comprehensive content library of Indian origin. It started three years ago and has been one of the big players for Indian audiences as a homegrown content platform providing content mostly in Hindi.

‘Bang Bang’ will be a visual spectacle film for youth action cinema lovers that will keep the audience occupied. The original web-series includes suspense, rash action, and youth drama, which will unravel the deep mysteries one by one.

The title track of ‘Bang Baang: The Sound of Crimes’ released!

After sharing the much-awaited glimpse of Alt Balaji and Zee5’s much-awaited youth action-thriller franchise ‘Bang Baang – The Sound of Crimes’, the makers have finally released the upbeat and power-packed title track from the show ‘Bang Baang’.

And, if you thought that only the promos and the trailer’s dialogues were bang, then this track will definitely be on-loop in your playlist. In the voice of renowned singer Nikita Gandhi, ‘Bang Baang’ has taken our excitement to a new level even before its launch on the streaming platform.

Singer Nikita Gandhi made her singing debut in 2013, lending her voice to ‘Bang Bang’. Since then, Nikita has given hit songs like Rabta Title Song (Raabta 2017), Aao Kabhi Haveli Pe (Stree), and Kafirana (Kedarnath 2018). Not only this, she has become a chartbuster singer, with songs like her recent hits Do You Love Me (Malang 2020) and Burj Khalifa (Lakshmi 2020).

‘Bang Bang’ will be a visual spectacle film for youth action cinema lovers that will keep the audience occupied. The original web-series includes suspense, rash action, and youth drama, which will unravel the deep mysteries one by one.

Produced by Akshay BP Singh and directed by Abhishek Kapoor, “Bang Baang” will be available for streaming from January 25 on Alt Balaji and Zee 5.

The list of upcoming originals to be launched on Alt Balaji in 2021 is as follows:

ALT Balaji will make a blast with these exciting series in 2021, so get ready!

The post ALT Balaji launches Mr. Faasu on OTT in the upcoming show ‘Bang Baang’! appeared first on The Daily Voice.

Filmmaker Rahul Rawal said this during a virtual conversation at the 51st edition of the Indian International Film Festival-IFFI today. He discussed the production of films made in the 50s, 60s, and 70s at IFFI today, with Rahul Rawail discussing with virtual delegates about the amazing journey of the development of the Hindi film industry in the past.

Recalling his cinematic journey, filmmaker Rahul Rawail said, “He started working in the film industry from the late 60s and started his career as an assistant to veteran Raj Kapoor.” He told that, K.K. Artists like Asif and Mahmood made films with superb sets in the 60s, followed by shooting at the location of Baburam Ishara’s film ‘Chetna’ in the 70s within 25 to 30 days, making Hindi cinema A revolution started and it was very extraordinary in those days ”.

Rahul Rawail said that, referring to Vijay Anand’s ‘Johny Mera Naam’ in which Dev-Anand was the lead actor. That film also gave birth to a new form of action-oriented, big-plot films in the 70s. At the time when business was booming in the Hindi film industry, an ‘unconventional hero’ was seen in the 70s film Zanjeer as the character played by Amitabh Bachchan. This put the image of an ‘angry young man’ in front of the audience and then a new brand was established. Rahul Rawail said that in 1973, Nasir Hussain’s film Yaadon Ki Baaraat came, which led to the arrival of the Salim-Javed duo with an excellent script. Raj Kapoor introduced Rishi Kapoor and Dimple Kapadia through ‘Bobby’, the film also started a new trend. He said that “These films were making a change and adding to the whole synergy of film making.” Recalling Rishi Kapoor, Mr. Rawail says, he was a young actor in those days. Film star Jeetendra also appeared on the big screen with a new appeal and new style in the world of Hindi cinema. On this occasion of virtual conversation, Rahul Rawail also remembered the film Wall – a brilliantly made film that took Yash Chopra to great heights in that era. Yash Chopra went ahead with even more memorable films like Trishul.

Rahul Rawail recalled that “In those days there used to be a healthy competition between film stars. Every actor was working very well with each other, but there was no rivalry. “Recalling a funny incident, he told that once upon a time three actors Raj Kapoor, Dev Anand, and Dilip Kumar were in a restaurant. Meet, they came to each other and started talking about each other’s movies and each other’s movies as intimate friends.

Rahul Rawail narrated another interesting story about how the great Sachin Dev Burman had said very politely that it was not right for him to give music for ‘Laila Majnu’ and for this work he recommended Madan Mohan. The music director, the legendary singer, and the songwriter will sit down with the director to make a brilliant film, and the actors will also collaborate with it, which is lip-syncing.

Filmmaker Rahul Rawail had another great film, L.V. Also mentioned V. Prasad’s ‘Ek Duje Ke Liye’, in which a love story was revealed, “where the hero could not speak Hindi and only spoke Tamil while the heroine could only speak in Hindi, she was given Tamil Did not know ”. He said that “people were inventing and doing different kinds of new work”. The audience was also experiencing different types of new films. This was done in the 80s when most of the newcomers came to the cinema, although the old men were still there. The 80s saw the arrival of legends like Subhash Ghai and Shatrughan Sinha. At the time Rawal made the film Arjun, a new trend was started, where the character was paid attention, not to any story. Sharing that memory, Rahul Rawail told that Javed Akhtar had written the script of ‘Arjun’ within 8 hours. Rawal also cast the popular Amjad Khan for the role of a villain in a comedic role. Although many people were skeptical about his decision, Rahul Rawail remembered his mentor Raj Kapoor’s advice that ‘a great script will always work’ and keep going with it.

In the end, Rahul Rawail said that the 70s and 80s were the periods when the Indian film industry had grown a lot and it is still growing.

The post IFFI 2021 Goa: The 70s is a golden phase for the Hindi film industry: Rahul Rawail appeared first on The Daily Voice.

Hazratganj Kotwali has registered a case against the show’s director Ali Abbas Zafar, original material head Aparna Purohit, producer Himanshu Krishna Mehra and writer Gaurav Solanki among others associated with the show.

On the other hand, several other organizations, including saints and saints in Prayagraj, along with Dharmanagri Ayodhya, Mathura and Kashi in Uttar Pradesh have also openly opposed the film, opposing it. In view of this, an FIR has been lodged by the Lucknow Police against those who made and released the web series ‘Tandava’ in Hazratganj Kotwali under serious sections.

The Ministry of Information and Broadcasting has allegedly issued a notice to OTT veteran Amazon Prime seeking feedback on complaints against its web series ‘Tandava’ starring Saif Ali Khan. The web series directed by Ali Abbas Zafar has been accused of inciting religious obsession. The series accuses him of defaming Hindu deities.

Sources in the ministry say that a notice has been issued to the makers of the web series. The Ministry has also taken serious cognizance of the complaints against Tandava.

Expressing similar concerns, BJP leader Manoj Kotak has written a letter to Union Minister Prakash Javadekar. In the letter, Manoj Kotak wrote, “It seems that the makers of Tandava have made fun of Hindu gods and insulted Hindu religious sentiments. I urge the Ministry of Information. And in the meantime the banning of Tandava was broadcast. “

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However, hold your horses, as not only Gupta, actress-politician Sonali Phogat will also enter Bigg Boss house soon. Yes, it is indeed true. With the aim of churning out more TRPs, the makers are trying their best to fill the BB house once again with competitors.

And as they say, the Internet is a tricky place, we get our hands on a video that sees Sonali’s entrance where she can be seen meeting and greeting other prisoners upon her arrival. For those who are not aware, Sonali is a BJP as well as a famous Tikokar. We are sure that after her entry inside the house, things will get a little too spicy. Earlier, we had told you how Manu Punjabi forced her out of the house due to health issues and now Sonali’s news. Too much information to digest in a day.

Before entering Bigg Boss 14’s house, Sonali talked about her excitement to be a part of it and said, “I have been a huge fan of Bigg Boss for a long time. The scale of the show is huge. I know many people who lookup. How can I refuse this opportunity of a lifetime? “

“I’ve watched almost all the episodes of this season. Now that I’m a contestant, it feels unrealistic. I’m excited and nervous at the same time. I don’t know how my journey will unfold, but I promise the audience Am. Lots of entertainment and positivity, “she said. Meanwhile, Sonali is the National Vice President of the Mahila Morcha of the BJP. She has also been a part of a TV show Amma: Ek Maa Bani Amma with Lakhs.

The post Bigg Boss 14: Sonali Phogat, politician and actress, enters Salman Khan’s reality show as a wild card contestant appeared first on The Daily Voice.

Undoubtedly, the most hooting and clapping scene of the teaser was the actor’s entry sequence, where he enters the flames, blowing up a line of automobiles. This scene is very similar to the iconic scene of Amitabh Bachchan’s ‘Agneepath’. In KGF Chapter 1, Yash is also seen in the looks of ‘Angry Young Man’ and Mafia King, which matches the iconic character of the golden era of Indian cinema.

In KGF Chapter 1, Yash played the role of ‘Rocky’ who appeared in the role of Gold Mafia of Kolar Gold Fields which has been well received by audiences and critics alike. And now in the next sequel too, Yash will be seen facing his enemies with his power and enthusiasm.

KGF Chapter 2 will feature rocking stars Yash, Sanjay Dutt, Srinidhi Shetty, Raveena Tandon, Prakash Raj, Malavika Avinash, Achyut Kumar, etc. It is a multilingual venture that will be released in Kannada, Tamil, Telugu, Malayalam, and Hindi. The film is written and directed by Prashanth Neel.

The post Superstar Yash’s entry in the teaser of ‘KGF Chapter 2’ will remind you Amitabh of ‘Agneepath’! appeared first on The Daily Voice.

After receiving tremendous acclaim for Paurashpur, Alt Balaji organized a debate on ‘Battle of Gender’ from the show with brilliant artists like Milind Soman, Polomi Das, Sahil Salathia, Anantvijay Joshi, Aditya Lal, Kashish Rai, and Ashmita Bakshi. Have decided to do it.

Conducted by popular columnist-writer Shobhaa Dey, the debate depicts conversations about gender issues that make comparisons between the past and current times of shows prevalent in the medieval period.

The highly engaging and interactive debate began with the hosting of Shobhaa Dey. Asking many essential questions about gender inequality, pay inequality, male patriarchy, and same-sex love, this debit has certainly proved to be huge and spectacular. The same, the answers from the cast and the shocking revelations surprised everyone.

Talking about his third gender character on the show, Milind Soman says, “We were definitely scared when we started stereotyping this character. We’ve seen other representations of the third gender so far and some of them are stereotyped. Therefore, I would say that Boris is a cynical character. He wears clothes and jewelry as he wishes. Boris refers to himself as a male, but he is not a man or a woman. Therefore, behind it. The idea was to get into the human aspect of Boris, and he fights against discrimination against women as he himself has faced it. “

Sahil, who has a parallel story with Boris as the dancer in the show, says, “We have tried to present the LGBT community with great respect. If you look at the romantic inclination of sexual preference towards another man, it is done in a very spectacular way. Unfortunately, we like to keep people in boxes and caricatures out of people. Your sexuality is a small part of your existence and it is about your friends, hobbies, etc. Likewise in the world of Paurashpur, my special equation with Milind on the show is a part of his life, and knowing the secret behind it For, you have to see this show. “

Talking about the atrocities on women in that era, Ashmita Kaur Bakshi informed, “I would like to refer to my character, which I have played in the show. She is physically portrayed by her husband, who is the king. Is a victim of abuse and not because he is his wife but because he wants to show Mel Dominance on women. Yes, in the context of Pauraspur, Mel Dominance is shown, and women are treated as sex objects. The climax of Paurashpur forces you to cheer for the queens of the state. “

The episodes of Pourshpur are now available for streaming on Alt Balaji.

The post Famous columnist Shobhaa Dey hosts ‘Battle of Gender’ with Paurashpur artists! appeared first on The Daily Voice.

Directed by Jeo Baby, The Great Indian Kitchen (which also does a cameo in the film) wants to shatter the idea. The film begins with ‘Thanks Science’, which is different from most Malayalam films, thanking God in the credits. And there is a good reason for this.

If the hypocrisy of religion is broken through the eyes of a devout Christian homegrown child in Jeo Baby’s earlier film Kuju Dayam, The Great Indian Kitchen looks at it from the point of view of a young woman in a new marriage. The film begins with the soon-to-be bride (Nimisha Sajayan) dancing, even her family preparing for the arrival of the groom (Sooraj Vanjaramudu). The pudding is sliced, the banana fritters are fried, the apps are made – and the camera focuses on the hands that perform this labor.

That is a recurring shot in the film; It may seem repetitive until the women are handcuffed, grinding, cleaning, wiping, sweeping but it seems as if Jeo Baby wants the viewer to feel the exhaustion of that endless cycle. The characters have no names, perhaps because there is nothing unique about this story. It is so common that the style of filmmaking is like a documentary. There is also no background score; What we hear is the voice of women’s work that winds up as men go about their self-important routines.

Nimisha’s character is all smiles and smiles on her face as she sets foot in her matrimonial home. When she asks her mother-in-law about the side dish for the dosa, the latter says that in their house, they need to make sambar and chamandhi and Chamandi needs to put her hands on the ground because the father of the house. , Father- sister-in-law, only likes it. The daughter-in-law says that in her ancestral house, they make only one side dish, either this or that.

There is nothing that stands out in conversation; It is a small thing that is common in the kitchen. Mother-in-law is not the stereotypical, disturbing variety (she is actually a colleague’s thing). Comments are not made with any undertaking. But it is only the foothills of the mountain of the house that the young woman soon finds herself.

Sooraj and Nimisha have previously played the role of a husband and wife in the critically acclaimed Thondimuthalam Chalakshakshuyam. There too, they were newly married, but a couple fell in love and went against the norms to get married. In The Great Indian Kitchen, he plays a couple in an arranged marriage, with whom he settles into his old-fashioned but prominent family.

It goes without saying that both artists are brilliant. The suppressed anger of the wife, hurting at the instigation of the husband, her resentment – Nimisha does all this, in part. Husband as Suraj is oblivious to her feelings, teases when you feel like reaching through the screen and giving him a good shake.

He is a near-mirror image of his father, a man who expects his wife to apply toothpaste on her brush and gives it to her in the morning as he rests on an easy chair. The father follows modern, labor-saving machines – and why not, when women work like machines for him? Interestingly, neither man is physically violent; Even when they disagree and put women down, they do it with a sweet smile. This is why The Great Indian Kitchen is different from the average film on unhappy marriages. Domestic violence is not a matter of life and death. Nevertheless, they are, ultimately, issues that drive women out of life, inch by inch.

There are many moments in the film that show what a good observer G.O. Baby is. When the mother-in-law visits her daughter, she is overcome by her husband’s eyesight; The little girl who is made to eat with her mother while the men dine with the guests; Annoying request for two types of tea; Call to plumber which is never done; Pictures of happy couples seemingly on the wall, generation after generation … nothing exaggerated, nothing written. But you understand how fundamentally patriarchal the family is; How women’s voices reverberate in the background, even when they are screaming.

The post The Great Indian Kitchen: Fantastic families, following religion and patriarchy appeared first on The Daily Voice.